Peace Sign
by Alissa Quart
How could we go to sleep
on this day, in which the world as we knew it had inconceivably frayed? All
over the city, people were extremes of their ordinary selves. My friends and
I were getting drunk on the Lower East Side, listening to the President's speech
on a transistor radio, attempting to make sense of the nonsensical. We cracked
the occasional perverse jokes to keep our spirits up: What is the Pentagon called
now? A rhombus.
We wondered what our parents would make of it. One friend's father had survived
the Second World War, another's mom, as a child, had walked the long march from
North to South Korea during the Korean War. It seems much worse to those of
us in our twenties: in our lifetimes, cataclysms that have affected us directly
are few and far between. Our images of terror derive from bombings of far-off
lands and disaster films. Perhaps there would be no more disaster films ever
after this, we wondered. How could there be?
While the news programmes continued without advertisers interrupting, we fantasised
that perhaps this would be the end of television advertising as well. It was
the first time that the American media apparatus had an event more terrible
then its own rhetoric of horror, an occurrence that contained more stories then
the city's thousands of reporters could put on the agenda for remedy.
We all slept in our friend's one-room, cold-water flat, afraid to be alone,
the television playing softly in the background, but we woke up several times
in the night. At six in the morning from Kathleen's roof, you could see the
stumpy rubble place where the towers had once stood like urban guardians: in
truth, they had seemed like a dream before, a silvery dream of modernism and
capital. Their absence was that dream's negative image.
Waking up, we could barely contain ourselves. The grey cloud had travelled to
the East Village and the smell of burning filled our lungs. We combed the streets
for a New York Times, touched to see shopkeepers at bodegas and crappy "99 cent"
stores flouting the closed-below-14th-Street rule (all commercial activity is
banned in that area). The Times was sold out everywhere. We heard people who
found copies were hiding them so others wouldn't get jealous. Delis bore the
legend "No Bread, No Times, No Lotto". We imagined briefly that we were in Kosovo.
Some of the paper-seekers whisked around on bikes in a city now strangely empty
of cars. Bikers were consoling, but they weren't the only signs of normalcy.
New Yorkers' habits reasserted themselves -- couples rollerbladed, the fashionable
ate polenta in the cafés on the avenues. I too participated in the return to
normalcy: I went to yoga where a wide-eyed woman told me classes had been cancelled
because of the asbestos from the burning, contorted metal. "Imagine deep breathing
asbestos!" said the yogini, in a pained fashion.
The burning smell had indeed gotten so horrible by twilight that the yellow
gas mask I had purchased was an absurdity, a tonka toy in the swirl of apocalypse.
Still wearing the high-heeled shoes I had worn as I left my own house in a Pompeiian
flurry two days ago, I bicycled on empty streets past Washington Square, where
a crowd was singing "Kumbaya", to the West Side Highway, where a far louder
and more jingoistic band of citizens had a different response: "USA!". Which
chant would win out in the long run?
To get away from the smell, the fear, I kept bicycling -- through Central Park,
a lush diamond still untouched, and on to West Harlem. Here on 120th Street,
I decided to stay with friend. Here, I felt safe. The Creole restaurant was
open. Crowds of men congregated on the stoops of brownstones, reliving the news
to one another; hip hop played loudly from the few passing cars. Life was going
on.
© Alissa Quart
Independent, September 14, 2001
see
also Bicycles Not Bombs and River
Road - Still Here